
Address: 200 Rue du Malecrit, 4e Arrondissement, Chatoeil
Hours: Open 10am-10pm on Monday-Saturday for patrons; 11am-7pm Sundays; all hours for performers
Merchandise: opera house
The opera company of Chatoeil resides in a massive, four story building, slightly bigger than the Opéra de Marseille (or Opéra Municipal, more recently) nearby and has around two thousand seats in its auditorium. The Opéra only offers magical performances and utilizes magic in its set changes, special effects and costumes, however, well-known operas from every place, era, and composer are performed in the building.
The building is made of expertly carved decorative marble and is supported by large pillars in the front, giving it a rather grand, demanding presence. There is a dome at the top which is made of copper and is part of the structure of the artwork on the ceiling on the inside of the foyer. While housing a similar number of people to Opéra Municipal, it resembles the Palais Garnier quite a bit more in its Second Empire architectural style. There is a large fountain in front of the building, in the center of the entertainment square in Chatoeil that houses the ballet, the opera house, and a regular theatre which is even larger than the other two and is home to numerous musical events and acts throughout the year.
There are numerous entrances to the opera house, each under an archway.
The first floor has two wings: the right wing holds the box office and the left wing holds the gift shop. Entrances to orchestra-level seating can be accessed from the first level. The grand staircase begins several feet into the foyer and leads to the Salon and the main entrance to the auditorium. On the ceiling, ornate paintings and gold carvings litter the building as far as the eye can see and even move and change based on environment. There are several massive, glittering crystal chandeliers that hang from the center of the dome at the top.
Climbing up the grand staircase, the center holds a large open archway that has two or more ushers stationed at it to help guests up or down the stairs in the auditorium to show them to their seats. Venturing into the left or right wings, one would find themselves in the Salon Doré. The Salon houses an all-accommodating bar and a restaurant that requires reservation. The Salon is a good place for the audience to share opinions during downtime and partake in refreshments.
In the auditorium, decorated with a ceiling and details (the railings, seats, chandeliers, etc.) just as beautiful and captivating as the foyer, there are five levels of seating with a certain amount of rows per tier. Floor seating, or orchestra seating, in front of the pit that can house up to 200 players, is some of the most coveted seating along with the centres of the bottom two tiers above the floor. These are the most expensive seats with the best sight-lines of the stage. The Ministry and other large parties frequently reserve entire middle-bottom tiers for viewing of particularly popular shows. The third tier is sufficient enough and is often purchased by regular patrons, and the top tier is rather considered nose-bleed seating -- still good, but notably the cheapest tickets and generally the ones students or people without season passes tend to purchase.
The stage is the crown jewel of the auditorium: it is tall, wide, and deep, lined with gold trim and glittering red curtains that can change color or image based on the scene. The sets rotate and change magically, making for seamless, enrapturing performances. Performers often wear magical costumes as well as having their hair and makeup enchanted, specifically for more fantastical productions.
Below and above the main levels are floors which hold rehearsal rooms, dance studios, closets full of costumes and libraries full of scores, and a gigantic basement for set building and costume making. They cannot be accessed by patrons unless there is a scheduled tour of the house. Behind the stage, there are a large variety of dressing rooms: singular ones for leads and larger, open ones for ensemble members, and hallways used for performers to travel around the house as needed.
The Opéra de Chatoeil is a grand place, requiring black tie dress, and is usually full of patrons from around the Wizarding world. The winter is the busiest, most difficult time to obtain excellent tickets.