How Elaine had managed to score tickets to this far-away, downright elitist event she had no conceivable idea. Maybe that activism in public-eye circles was paying off in oddball ways like this. When she'd seen the names of the featured artists listed on the brochure, however, she hadn't thought twice of how she'd feel surrounded by, undoubtedly, a sea of posers -- Emily wasn't sure why, but even seeing Augustine Mohr's name printed in guaranteed presence was enough to convince her. She was happy, anyway. Signing the last few bits of paperwork to take ownership of the shop, dating someone who treated her well and making decisions that could positively impact her life. Nothing was missing. Nothing.
The man's addition to her life had come as an entirely unprecedented shock, and while aware she'd made the conscious decision to indulge while she'd very much been a single woman, there was a certain degree of guilt she associated with any interaction the pair had. He and John were friends, after all. She and John were friends. (Getting there, anyway.) And he didn't know. Of course he didn't. Neither of them had made any moves to tell him as far as she knew, and that... complicated things. It was their secret. She wasn't sure whether or not it made being in his presence more attractive or entirely morally bankrupt.
As she strolled along through the unique and admittedly sort of unsettling environment, she moved fast. Faster than all of the people standing close to one another and pointing at things, trying to find symbology in things that simply were. For Emily, attaching sentimental value to things wasn't a foreign concept -- but not everything had the capacity to have more than its actual value assigned to it. Eventually, she came to a painting that struck a chord in her -- it was different than the others. Not necessarily unique, but it was... prudent. Vaguely inspired by Van Gogh, maybe. One couldn't see the stars in Paris or any other city with light pollution and even though they were really just bits of paint on a canvas, it was refreshing to look upon them once in a blue moon. Her fingers tapped rhythmically on the flute of champagne she held in one hand, which was more there for fiddling and business than it was for drinking.
Enraptured in the artwork and in her own mind, her lips, previously slightly agape, sealed shut and she jumped a fraction at the voice in her left ear. She looked immediately toward him, relaxing and allowing her yellow-green eyes to settle on his face. She had goosebumps and it wasn't cold. Tropically humid, even, to complete the environment. Emily suddenly felt very vulnerable in her clothes and wondered why she'd chosen to wear this particular dress having known there was a distinct possibility for this exact interaction to occur. She didn't want to think about it.
She focused, instead, on his words and the situation at hand, even though "living in the moment" was almost always an entirely foreign concept, almost always out of reachable grasp. "Maybe not shit, exactly. Can't say that it would make sense to call any piece of art that's ended up in an exhibit shit. Subjectively, though, maybe. I would say a bunch of it's shitty, and not even just because of the composition of the piece. You can tell when an artist makes something because she's inspired and you can tell when an artist makes something because she thinks it's what the public wants to see from her."
Emily paused for a moment, taking a drink of her champagne for something to do and watching the ring of red her lips left on the rim when she pulled away. She worried he'd notice it hadn't been there before. "And why do you say that? I didn't even think you'd be down here. I thought you'd be in the VIP section with six women hanging off your arms. It's your night, right, Augustine?" Her breath caught as she spoke to him and she rose an eyebrow, trying to mask the embarrassment she felt for accidentally alluding to the fact that she'd known this was his event prior to.