Tock was a little nervous. He had only just begun art school, but he was already expected to display one of his pieces in a first-year-student exhibition away from campus at a Paris gallery. It was for-credit in one of his introductory courses, and he was nervous that his work wasn’t good enough. Being in art school with real artists made him feel a bit as though his scribbles for the Prophet were anything
but real art. It had been a long time since he had drawn something that he was truly proud of. While he was proud of this artwork, it was deeply personal and made him feel a little like he’d cut himself and painted the figure in his own blood. It felt wrong to show someone. Private. He felt like he had torn his chest open and the world was watching him bleed. It was a sick sort of satisfying feeling, being so vulnerable.
At least he didn’t have to present his piece to anyone in particular. He didn’t need to “defend†his art to critics. Instead, he was able to feign anonymity and pretend it wasn’t his. Of course, he was curious and drawn to it, eavesdropping on conversations by those who looked upon his portrait. The portrait wasn’t of him, necessarily. He wasn’t ready for a self-portrait what was going on inside his head, but it was a portrait of his ward, Sid, who had gone through many of the same traumas that he had, himself, suffered. There was beauty in his features, but also anger and hurt, all visible in the angered, red scribblings around the edge of the painting. Words, the bane of Tock’s existence, formed by those scribblings wrote out some heated quotes from his own manifesto,
The Friend of the People. There was blood in his eyes, and it was almost jarring to look at this photo. It was so different from the flowered portraits, the realistic sketches, and simple self-portraits from the other first-year students. He knew how to draw. He wouldn’t have made it in if he didn’t. What Tock struggled with, and what he imagined most artists did, was wanting his work to
mean something.
He could do pointless sketches for practice, practice new and exciting techniques, but at the end of the day he didn’t want to produce something that didn’t hurt others. They should all feel like this. They always had when he had painted the murals in London: by himself, with Sid, with Kai. Tock didn’t often think of his ex-boyfriend anymore, but when he did it hurt him to remember how hot their love burned before it turned to ice. Like Caleb, he couldn’t help wandering what he was up to now. Was he happy? Did he miss him? It was Schrodinger's ex—if he didn’t know, he could assume Kai both still loved and hated him, whichever fed his fantasy or depression at the current moment. He missed love. He missed sex. He missed the companionship most of all.
With Caleb, he was almost afraid to think of it. Had the other man died? Just like with Kai, he liked not knowing. If he died, he wanted to think maybe he was still alive out there…. Happy… or… did it hurt more to think of him happy and having forgotten him? Tock didn’t know. It was all so confusing, so anxiety-inducing. He should be alone. He deserved to be alone. He deserved….
No, he was getting better. He wasn’t that scared little boy, hurting and lashing out at the only good thing in his life anymore. He wasn’t cutting off his friends and moving on coldly just to protect himself anymore. He had friends. He had Rheya. Camille. Sid, and his whole gang. Gregorie and everyone from the London shop. Everyone in the Paris shop. People needed him and thought of him and missed him when he was gone. He didn’t
need to pretend anymore.
He needed a drink. There was free wine there, and Tock was not supposed to imbibe, but he downed the wine quickly and took another glass just as fast. He needed something for his nerves and hard sworn off the harder things when he moved to Paris. He had tried to get fully clean, but he craved and he hurt, and his stress was through the roof. Why did everything hurt? Why was he so angry all the time?
He could rant about politics for days, but that was comfortable for Tock. His rage against the society that shunned him was on the surface and what lied beneath was a scared boy who never felt true love in his life. None of his so-called friends had looked for him. They hadn’t missed him, who was he kidding? Sid had moved out as soon as he possibly could. He took another drink.
Soon, he was drunk and feeling momentarily better. His demons were quiet. He admired the other artwork, avoiding the corner where his piece sat, and swayed lightly to the music. Then, he dropped his glass and it shattered on the floor—he had seen a ghost.
Not a literal ghost, what would have bene much less frightening. Instead, it was a ghost from his past. Who could it be except his former flame, Kai, looking directly at Tock’s own artwork? The music was the only sound audible, as talking nearby had ceased. Tock scrambled on the ground to pick up the glass with his hands—forgetting magic—before the server whisked the mess away and Tock was left with wet, dirty hands. He swallowed, too much attention on him, and wiped his hands on his only slightly tattered trousers as he maintained Kai’s gaze.
“…hey.â€
@Kai Kimura