The two sword blades met, as intended, at a momentary lull in the music, so that the clash of live steel could be heard in the silence. But Nikola barely noticed their perfect timing, nor did she even think to herself that they’d pulled that particularly difficult strike off. Because what came next was not choreographed. It was meant to look real, so it would be. For a good thirty seconds, which had she not been so locked into her focus, would have felt like an eternity on the stage, the two were to engage in actual combat. Though the weapons were enchanted so as not to slice flesh, she knew from first hand experience that these would still bruise, or potentially even break bone. The normal wards that stopped the blades within a few millimeters from flesh had been left off. After all, these needed to be able to cut cloth and cord. It was integral to their performance.
The German witch slid back and assumed a low defensive stance with a rapid flourish that fanned the cloak out behind her, stirring up the black mist that coated the ground still. And then she lunged forwards, as Helyna had done in the folk tale, quick to defend herself and to prove her own prowess with the blade. He blocked, as she knew he would, but kept up her own pace, the music forming a fast tempo for her strikes, which allowed him to parry, though to Nazar’s…. Artur’s credit, he made it look as though many were a narrow miss. After all, the music was important, both listening for a musical que that would lead the two dueling sword masters back into the actual choreography. But for now Nikola’s graceful, almost dance like swordplay under normal circumstances were on full display; not that her former professor’s own were lackluster, as his blade sliced through the fabric of one of her sleeves, the fabric revealing the bare arm beneath it. too close.
Fortunately it was at that moment that the musical que they had been waiting for came through the fog of combat, and both slid into their stances once more. This time he came at her, aggressive and forceful, with power. It was as if he’d been toying with her before, gauging her skill. But of course it was meant to appear that way. Nazar was the master swordsman after all, and through her stealthy observations Helyna had learned much from him, in addition to her own skill. But she was certainly not his equal. They had not planned to choreograph this part, but as it turned out, Nikola was incapable of downplaying her own abilities.
So choreographed moves it was, which was perhaps for the best, because it helped ensure her safety. After all, had Artur actually gone full force, there was a chance he could have killed her if one of them had stepped out of line, dulled blades or not. She had no problem admitting that her mentor was by far still the superior swordsman of the two of them. Nikola still had a great deal yet to learn, at least in her own mind.
Having rehearsed the moves so much, Nikola barely even noticed how far they had gone until she felt herself jerked forwards, his free hand wrapped tightly around the thick fabric of her burgundy cloak. Spinning fiercely to the left, away from the audience and out of the cloak, she was followed close behind by his blade, cutting through the fabric like a hot knife through butter. It was only her rapid reflexes that kept the blade from grazing her own pale skin as it whipped past her, leaning back so it missed her face by mere inches, before tumbling backwards and springing to her feet with all the grace of a lioness, once more in an aggressive stance. But this time, Helyna was truly revealed for what she was. An assassin certainly, and easily close to Nazar’s on skill. But delicate and feminine, matching the grace and poise she’d shown earlier in the fight, long braid flowing down her back to nearly her waist.